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Home > MICROPHONES > STUDIO CONDENSER MICROPHONES > AT3035

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Part# - AT3035 - Audio Technica - Large Diaphragm Cardioid Condenser Microphone, Shock Mount and Pouch


Retail: $349.00   Your Price (USD): $149.00  You Save: 57.31%  

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    Info on CEN-MICPORT-PRO - $149.00
 
Part #: AT3035
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Description:

This item is no longer available. It has been replaced by the AT2035 available here:

http://www.soundprofessionals.com/cgi-bin/gold/item/AT2035

Manufacturer's website

AT 3035, AT-3035

Designed for critical home/project/professional studio applications and live performance, this 30 Series large-diaphragm side-address cardioid condenser delivers exceptional detail and low noise. With its extended low-frequency response, the AT3035 produces rich, full sound reproduction and handles extremely high sound pressure levels with ease. Tailored for a smooth, natural sound, this mic is a perfect complement for digital recording equipment. Along with its rugged construction and high-performance specifications, the AT3035 provides an exceptional level of consistency from model to model.


    - Custom-engineered large diaphragm for exceptional detail and low noise
    - Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
    - High max SPL, wide dynamic range and optimized output level provide unmatched versatility
    - Low self-noise (12 dB SPL) – perfectly suited for today's most sophisticated digital recording equipment
    - Extended low-frequency response for rich, full sound
    - State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards
    - Custom shock mount provides superior isolation
    - Lo-cut switch (80 Hz, 12 dB/octave) and 10 dB pad


 SPECIFICATIONS

 
ELEMENT Fixed-charge back plate, permanently polarized condenser

POLAR PATTERN Cardioid

FREQUENCY RESPONSE 20-20,000 Hz

LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave

OPEN CIRCUIT SENSITIVITY -32 dB (25.1 mV) re 1V at 1 Pa

IMPEDANCE 250 ohms

MAXIMUM INPUT SOUND LEVEL 148 dB SPL, 1 kHz at 1% T.H.D.;
158 dB SPL, with 10 dB pad (nominal)

NOISE 12 dB SPL

DYNAMIC RANGE (typical) 136 dB, 1 kHz at Max SPL

SIGNAL-TO-NOISE RATIO 82 dB, 1 kHz at 1 Pa

PHANTOM POWER REQUIREMENTS 11-52V DC, 3 mA typical

SWITCHES Flat, roll-off;
10 dB pad (nominal)

WEIGHT 13.8 oz (390 g)

DIMENSIONS 6.69" (170.0 mm) long,
2.05" (52.0 mm) maximum body diameter

OUTPUT CONNECTOR Integral 3-pin XLRM-type

ACCESSORIES FURNISHED AT8458 shock mount for 5/8"-27 threaded stands; soft protective pouch

AUDIO-TECHNICA CASE STYLE R5



 SPECIFICATION GRAPHS

 
Click on the chart to view the larger image
  POLAR PATTERN POLAR PATTERN
  FREQUENCY RESPONSE FREQUENCY RESPONSE


Specifications:

Please see overview for specifications

Customer Reviews:
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Avg. Customer Review: 5 out of 5 stars
Number Of Reviews: 1
175 of 369 people found the following review helpful:
5 out of 5 stars rated-r's Full Review 00/00/0000
Reviewer: A viewer   from USA
INTRODUCTION: When recording an acoustic instrument, one must spend a little money for the proper condenser microphone. One must search out for a microphone that replicates the sound that an instrument produces. If you look towards Audio-Technica, you need not look far. They have many high quality mics that are reasonably priced. To get those higher quality sounds, you must step away from the 20-series mics, stop for second, look forward, and look at an Audio-Technica 30-series condenser microphone. At only $200.00 the AT3035 is a bargain. The AT3035 is the second microphone a home studio should look at for high quality and fairly accurate replication of acoustic instruments, and should be considered for purchase as a pair, for stereo sound of instruments that deserve such attention, like a piano, or an old time B-3 organ, or even a drum kit. This is a strong mid-level microphone, especially when they are recording the piano as a pair. A small reminder, when recording the piano with a pair of AT3035s, place them parallel to the strings, and 6 inches from the hammers’ strike points. Also, make sure they are about 2 feet apart. I also recommend to fiddle around with mic placements to suit your taste. Review too long for this section. Read the rest of the review here: http://www.epinions.com/content_234057469572
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The Sound Professionals™, Inc.
3444 Sylon Blvd.
Hainesport, NJ 08036 USA
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