Best Price on AUDIO TECHNICA WIRELESS IN-EAR MONITORING SYSTEM WITH 1321 SELECTABLE CHANNELS


AUDIO TECHNICA WIRELESS IN-EAR MONITORING SYSTEM WITH 1321 SELECTABLE CHANNELS

Introducing M2 & M3 Wireless In-Ear Monitor Systems


Audio-Technica is proud to introduce its new M2 and M3 Wireless In-Ear Monitor Systems. These feature-rich systems are designed to provide comfortable, crystal-clear sound on stage. Both systems are equipped with earphones offering a proprietary Audio-Technica dynamic driver with richly detailed high-fidelity sound. The clean, articulate mix allows performers to hear themselves at a comfortable volume. Instead of hearing a one-size-fits-all mix, performers have the benefit of Audio-Technica’s Personal Mix Control, offering independent control of volume and mix at the receiver. Delivering a wide array of professional features, the M2 & M3 Wireless In-Ear Monitor Systems are the new standard for in-ear audio in live performance.

  • Crystal-clear audio
         Hear yourself clearly on stage

  • Personal Mix Control
         Control what you hear as you perform

  • Avoid feedback
         Get cleaner, more articulate house sound

  • Help conserve hearing
         Experience articulate audio at lower SPLs

  • Travel light
         Never carry a heavy monitor system again

    Why choose in-ear monitors?
    Hear what you want. When you want. How you want.
    Clarity is first among the many reasons to make the switch from traditional floor monitors to wireless in-ear monitor systems for live performance. Many musicians find that traditional floor monitors are not giving them the articulate sound they need; they either can’t hear themselves clearly, or can’t hear themselves at all when stage volume is loud. As a result, they may experience voice strain from singing at unsustainable levels in an attempt to be heard above the on-stage noise level.

    Another sound issue often plays into the decision to switch to in-ear monitors: as traditional floor wedges contribute to rising noise levels on stage, many performers are troubled by feedback, and by an overall audience mix that is muddied by stage spill from the floor monitors.

    Often, artists choose in-ear monitors because they want to control what they hear on stage, creating a personal mix that’s tailored for their best performance. Others turn to in-ear monitors to help control and limit exposure to high sound pressure levels for hearing conservation. Some are simply tired of lugging heavy and cumbersome monitor equipment to each gig.
  • M3
    Wireless In-Ear Monitor System

    M3 : Wireless In-Ear Monitor System
    M3T Transmitter
    M3R Receiver
    EP3 Earphones
    Click on a photo to view a larger image

    Audio-Technica’s advanced M3 IEM system offers a full range of professional in-ear monitoring features, with a choice of 1321 UHF channels and easy-to-read LCD information displays on both transmitter and receiver for setting preferences. The stereo monitor system is equipped with Audio-Technica’s versatile Personal Mix Control, which gives allows volume and mix control of two independent signals on stage, via controls on the M3R stereo body-pack receiver. While up to 16 complete M3 systems may be used simultaneously, any number of M3R stereo receivers can operate on the same frequency with a single M3T stereo transmitter. The M3T Stereo Transmitter is equipped with two XLR/¼” combo input connectors into which users can connect line-level inputs (from a mixing console, for example). The M3T also offers a headphone output that allows you to monitor transmitter input signals directly.



    M3 Components
    EP3 Headphones
    In-ear dynamic headphones offer high-fidelity sound and excellent isolation
    M3T Stereo Transmitter
    Wireless UHF transmitter (frequency-agile) offers LCD display and 1321 user-selectable frequencies
    M3R Stereo Receiver
    Personal Mix Control in a lightweight body-pack with backlit LCD display

    Compare the M2 & M3 Wireless In-Ear Monitor Systems.

    Why choose in-ear monitors?


     OVERALL SYSTEM SPECIFICATIONS

     
    Operating Frequencies Band E: 790.000 to 822.000 MHz, 1281 frequencies
    Band F: 832.000 to 865.000 MHz, 1282 frequencies
    Band L: 575.000 to 608.000 MHz, 1321 frequencies
    Band M: 614.000 to 647.000 MHz, 1321 frequencies
    Not all frequency bands available in all areas. Please check with local regulations.

    Minimum Frequency Step 25 kHz

    Modulation Mode FM stereo

    Maximum Deviation ±40 kHz

    Dynamic Range 90 dB (typical), A-weighted

    Total Harmonic Distortion <1% at (1 kHz, ±20 kHz Deviation)

    Operating Range 100 m (300'), typical
    (Open range environment with no interfering signals.)

    Operating Temperature Range -5° C (23° F) to +50° C (122° F)
    (Battery performance may be reduced at very low temperatures.)

    Frequency Response 60 Hz to 13 kHz (+/- 3 dB)

    Simultaneous Use 16 channels per band (maximum recommended)
    For assistance with multi-band operation or other frequency coordination issues, please contact you regional Audio-Technica customer service representative.


     RECEIVER SPECIFICATIONS

     
    Receiving System Double conversion superheterodyne

    RF Sensitivity 20 dBuV (at 60 dB S/N ratio, 50 ohms termination)

    Headphone Output Connector 3.5 mm TRS stereo phone jack

    Headphone Output Power 65 mW (at 32 ohms)

    Antenna Input SMA-type, 50 ohms

    Aux Input Connector 3.5 mm TRS stereo phone jack

    Batteries 2 x 1.5V AA (not included)

    Battery Life 8 hours (alkaline)
    Depending on battery type and use pattern

    Dimensions 70.0 mm (2.76") W x
    25.0 mm (0.98") D x
    110.0 mm (4.33") H

    Net Weight 133 g (4.7 oz), without batteries

    Accessories Included EP3 earphone; flexible antenna


     TRANSMITTER SPECIFICATIONS

     
    RF Power Output 10 mW/50 mW (switchable), 50 ohms
    Limited to 10 mW within 863 MHz to 865 MHz
    Following national regulations

    Spurious Emissions Following federal and national regulations

    Input Connections XLRF-type/6.3 mm stereo (1/4") combination connector
    Pin 1 and Sleeve: Ground
    Pin 2 and Tip: Hot
    Pin 3 and Ring: Cold

    Maximum Input Level XLRF-type/6.3 mm stereo, (1/4") balanced: +26 dBu
    6.3 mm (1/4") mono, unbalanced: +26 dBu

    Loop Output Connector XLRM-type connector
    Pin 1: Ground
    Pin 2: Hot
    Pin 3: Cold

    Power Requirement 12-18V DC, 600 mA

    Headphone Output Connector 6.3 mm (1/4") TRS stereo phone jack

    Headphone Output Power 120 mW at 32 ohms

    Antenna Connector BNC, 50 ohms

    Dimensions 210.0 mm (8.30") W x
    132.0 mm (5.20") D x
    44.0 mm (1.70") H

    Net Weight 930 g (32.8 oz), without accessories

    Accessories Included AC adapter (country dependant); rack mount adapters; flexible antenna



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    AUDIO TECHNICA

    WIRELESS IN-EAR MONITORING SYSTEM WITH 1321 SELECTABLE CHANNELS

    Last Updated: Thu May 15 01:01:02 2008


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